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#portrait#character#poster#fashion#Seedance#fantasy
5,875 results · Page 159 of 245
0:10View details
VIDEO · seedance-2.0

红裙猫耳女王的扑克魔术变身

Lock initial image for the first frame, aspect ratio 16:9, total duration 10s. The scene opens with a Diagonal Low-angle Medium Close-up. The upper body leans sideways into the frame, with the head positioned on the left. The index and middle fingers of the right hand grip only a single card by its side edge across the center of the frame, with a Stoic gaze, and the face presents a Laser-focused Minimalist expression. 0s - 2s (Opening Kinetic Energy: Calm Physical Manipulation): At 1.6s, the wrist rotates slightly, causing this isolated card to flip and reveal its red back. Using this kinetic energy as an anchor point, trigger the camera to realign and execute a smooth Dolly Out to reveal a medium shot of the corridor featuring cold white matrix lights and a high-gloss floor. 2s - 4s (Space Stretching and Single Card Arc Trajectory): The protagonist rotates the (single unique card 1.5) with both hands and then smoothly moves them apart to the sides (Hands move apart without any throwing motion). This single playing card, as if magnetically attracted, performs a high-speed horizontal axis-spin parallel to the ground using its center point as the axis, and executes a horizontal semi-circular trajectory from right to left at shoulder height. Strictly forbid particle jet effects, strictly forbid the card flying towards the lens (Z-axis), and absolutely zero extra card particles are allowed in the space. Meanwhile, the camera quickly zooms out to a panoramic view, leaving the center of view entirely for the trajectory of this isolated spinning single card. 4s - 6s (Camera Rebound and Card Catch Charge): The camera uses the single card's inertia to quickly push forward (Dolly In), locking back onto the subject. The left hand extends to precisely catch this unique single card and retracts the arm joints to charge up. At this time, the entire physical space remains in a "single card vacuum" state. 6s - 7s (Occlusion Transition: The Critical Point from Reality to Stage): The card face is presented frontally to the lens. The camera executes an exponentially accelerating sprint with the card face as the focus anchor. At 5.5s, the card face completely occupies 100% of the frame forming a physical occlusion anchor point, achieving spatial interruption. 7s - 10s (Identity Mutation and Alluring Freeze): The moment the card face cuts across, a silky transition occurs to a red dress cat-eared figure. The scene instantly cuts to an Ultra-wide angle 14mm strong perspective composition. Located in the center of the frame, the facial expression shifts to Alluring and Authoritative gaze, with a Sultry smirk and Dominant elegance. The protagonist's left hand spreads five fingers wide in a penetrating dynamic pointing straight at the lens. The palm appears extremely huge due to perspective, creating a screen-breaking sensation, while the body leans slightly back. At this time, the background has switched to a dark curtain and a golden carved picture frame. Strong top backlighting outlines sharp rim light edges on the subject's cat ears and silver hair, and the red dress material presents a deep light-dark gradient under side lighting. Multiple playing cards rotate slowly as out-of-focus foreground elements, creating a torn-like spatial depth. The subject's right index finger lightly touches the chin, eyes locked on the lens, and the frame finally freezes in a magnificent pose with strong cinematic depth.

#变装#电影感#猫耳
0:15View details
VIDEO · seedance-2.0

闪灵破门镜头实拍级还原

Recreate shot-by-shot the classic "axe-splitting door" scene from the film The Shining, maintaining consistency with the original in shot angle, framing, rhythm, and style. Realistic cinematic style. Shot 1 | 4s View from inside the room | Fear in the corner Reference images: @Fig 2 @Fig 3 Shot size: Medium close-up Camera position: Inside the room, close to the interior wall Composition and direction (critical): Camera frames the character crouching in the corner of the room. Character is positioned slightly right of center. White wooden hotel door is on the left side of the frame, visible in profile, not facing the camera directly. Content: Fire axe chops into the frame from outside the left side. Axe blade enters horizontally from the left; wood splinters fly toward the center. Performance: Character huddles in the corner, back pressed against the wall, eyes fixed on the door. At the moment the axe breaks through, expression shows extreme terror, silent crying, body recoils instinctively. Line: (Extremely terrified, as in @Fig 2 and @Fig 3) no…please, no....no! Camera movement: Static shot Constraint: Camera focus remains on the character inside the room at all times. Shot 2 | 3s Hallway outside the door | Handheld side shot of axe splitting door Reference image: @Fig 1 Shot size: Medium shot Camera position: In the hallway outside, to the character’s right Angle: Side view, showing the character’s body and the fire axe Camera movement (core): Handheld, tracking the movement of the axe head Visual performance: Axe naturally enters and exits the frame during swings, sometimes near the edge of the frame. Content: Subject repeatedly and forcefully chops the white wooden hotel door. Door panel gradually breaks apart. Character state: Actions are rough, continuous, and increasingly out of control. Shot 3 | 3s Close-up of door crack | Maniacal face reveal Reference image: @Fig 1 Shot size: Close-up Camera position and angle: Camera directly facing the cracked door gap Content: Door is split open to form a narrow gap. Subject’s face slowly emerges from the gap. Performance: Cold, maniacal smile; eyes staring directly into the camera. Line: (Whispered) “Here is...” On “Johnny”, voice rises sharply with eerie excitement. Upon seeing this, @Fig 2 looks terrified and slaps @Fig 1’s head back out of the gap. Global Settings White wooden hotel door Calm, oppressive, realistic cinematic texture No excessive environmental stylization Performance, composition, and rhythm strictly reference only the original The Shining