三格黑裙粉紫发少女设定图
A three-panel character reference sheet, the composition is a horizontal image, equally divided into three side-by-side vertical panels (three-panel character reference sheet), with clean and thin dividing lines between the panels, the same character and the same outfit are presented completely identically across the three panels. A young woman, slender and well-proportioned body, sweet and pure temperament. Pink-purple (dusty rose pink-purple) long wavy hair, straight bangs, large waves reaching the waist, hair is smooth and lustrous, a black satin bow hair clip decorated with pearl strings on the left side of the hair. Soft and rounded face shape, full cheeks, slender jawline; almond eyes, dark brown pupils, gaze is clear and gentle; soft curved eyebrows, a small bridge of the nose, full petal lips. Skin is fair, translucent, and hydrated, light pink blush on the cheeks, natural makeup look, nude pink glossy lips. A pair of small pearl earrings on the ears, a thin silver chain pendant on the neck. (This identity description applies to all three panels) Wearing a black velvet camisole short dress, V-shaped neckline trimmed with white lace, thin shoulder straps, slim-fit cut fits the slender curves, the hem falls at the mid-thigh; lower body wears black semi-transparent stockings, and black high heels on the feet. (This styling description applies to all three panels) Left panel —— Frontal full body, headless. The character's body faces the camera directly, from below the shoulders down to the shoes, arms hanging naturally at the sides, hands relaxed and open, weight distributed evenly on both feet. No head, no hair—nothing rises above the shoulder line, no hair hanging down in front of the chest or on the shoulders. The neck rises briefly upward from the shoulders, terminating at the base of the throat with a clean, flat, clearly defined horizontal cut, like a headless mannequin model—neat sculptural cut edge, edges are clearly visible, not blurred, not out of focus, not dissipated, no smoke, no afterimages, no transparency, no blood, no anatomical details. Above the cut is only the blank medium gray background. This panel retains complete top-of-the-head space—sufficient blank space is left above the shoulder line so that the character's proportion and position in the frame are consistent with a normal full-body portrait. Middle panel —— Back full body, with head. The same character filmed from directly behind, standing posture is straight, the pink-purple long wavy hair naturally falls to the waist from the back, the back construction of the black velvet camisole dress, the crossing of the thin shoulder straps, and the hem are clearly visible, arms hanging naturally at the sides, hands relaxed, completely in frame from the top of the head to the black high heels, black stockings wrap the long legs. Right panel —— Chest-up extreme close-up, identity lock. A tight composition from slightly above the top of the head to the collarbone, only showing the uppermost edge of the dress, the face occupies most of the frame, a true close-up. Body faces the camera, head looking straight, eyes looking directly at the camera, lips closed and relaxed, a neutral and restrained gentle expression, an extremely shallow closed-lip smile. The pink-purple straight bangs, soft curved eyebrows, long eyelashes, the lip texture of the full petal lips, the black bow pearl hair clip, and the silver chain pendant are all clearly discernible at close range. Unified background for the three panels: A flat and even 18% medium gray seamless background, single color value, no gradient, no attenuation (flat 18% gray seamless). Directionless and shadowless frontal illumination, fill light is uniform and consistent all around, no key light side, no shadow side, no rim light, no glow, no edge light (shadowless frontal illumination), no projection on the background, no contact shadow under the feet (zero cast shadow), the lighting in the three panels is completely consistent. Photorealistic quality (photorealistic), skin shows fine and even pores and subsurface scattering (subsurface scattering), hair strands are distinct (strand-level hair), the fabric textures of velvet, lace, and stockings are clear (fabric weave), slight film grain (theatrical grain). Real human, shot with a real camera, absolutely not plastic-feeling, absolutely not a render, absolutely not CGI, no AI skin smoothing, no over-smoothing.