Celestial Moonlit Palace Scene

16:9 横向电影画幅，东方高空神界，清冷月白色场主导，明亮、静默、遥远。画面不依赖大量宫殿，而依赖高阁、古松、云海与天空的空间关系。唯一主空间命题是：**核心建筑，与自然元素形成对抗构图。**摄影机真实站在高阁内部靠后位置，正常人眼高度。近景左侧是一根深青灰巨柱与局部冷色梁架，顶部完全出画；上方巨大飞檐形成横向压框。右侧是一株从崖边伸出的巨大古松主干，粗壮树干和部分枝条进入画面，形成自然实体遮挡。中景是一片宽阔的月白石露台，建筑装饰极其克制，仅保留巨柱、栏杆和平台关系。1 位人物独自站在露台边缘，背对观者眺望云海。古松枝冠从右侧横向向画面中央与上方舒展，最近树干清楚，中段枝叶进入雾层，最远枝梢逐渐消失在空气中。远方只允许存在一段低对比度巨型苍蓝崖体或淡淡建筑檐线轮廓，不增加第二座主建筑。至少形成：近景巨柱与檐口 → 古松主干 → 中景露台 → 极小人物 → 松冠与雾层 → 极远崖体轮廓 → 云海 → 开阔天空。配色采用月白、霜青、冷灰蓝、雾蓝灰和冷石白，结构深色采用深青灰，古松使用克制冷棕。暖色只可作为极少量暖白边光点在树皮、檐缘或人物衣缘。材质采用冷白玉石、精磨灰青石材、深色宫廷木构与低反射屋面。建筑必须完整、精工、洁净，不得古旧破败。Soft cool daylight, huge negative space, architecture framing nature, nature interrupting architecture, restrained contrast, strong layered atmospheric depth.

16:9 horizontal cinematic frame, Oriental high-altitude divine realm, dominated by a cold moon-white color field, bright, silent, distant. The scene does not rely on many palaces but on the spatial relationship between high pavilions, ancient pines, a sea of clouds, and the sky. The only main spatial theme is: architecture in an adversarial composition with nature. The camera stands inside the pavilion at a normal eye level. Foreground left is a giant dark blue-gray pillar; above is a huge eave. Right side is the trunk of the giant pine. Middle ground is a wide moon-white stone terrace with minimalist decoration. One character stands alone at the edge of the terrace, looking at the clouds with her back to the viewer. Colors include moon white, frost green, cool gray-blue, and cold stone white. Material: cold white jade, polished gray-blue stone, dark court wood structures. Soft cool daylight, huge negative space, architecture framing nature, nature interrupting architecture, restrained contrast, strong layered atmospheric depth.