High-Speed Slapstick Dog Chase

テンポが良く、毎秒60フレームの高フレームレートによる高品質な動画を生成してください\n\nショットとアクションの演出：\n\n0-2s：廊下のワイド、 📷画像2 （トラ）と 📷画像3 （マル）が同時に叫ぶ出だしで身体が声の頭で前へ伸び、尻が一拍遅れて追いつく、カメラは低い位置で前方へ急加速して牽引。\n\n2-6s：廊下をジグザグに爆走、足は円形の回転残像になり、背後に紙と綿の長い尾が引きずられる、カメラは左右に切り返しながら追走。\n\n6-9s：曲がり角の中景、 📷画像3 （マル）だけ壁へ平たく押し潰される、犬の形が一瞬ペラいシルエットになるのを正面から見せる。\n\n9-10s：同構図でポンと元へ戻る瞬間を一拍で抜き、すぐ走りへ復帰。\n\n10-14s：床上すれすれの追跡、 📷画像2 （トラ）がベッド下へ液体のように薄くなって滑り込む、カメラも高さを落として隙間へ突入。\n\n14-18s： 📷画像3 （マル）が頭から突入するが腰で止まり、身体がアコーディオン状に縮む、カメラは横から寄って伸縮を誇張。\n\n18-21s：一度反動で飛び出し、もう一度突っ込む、同じ動きをテンポよく繰り返し、最後は上半身だけが入って尻と巻き尾が外に残る。\n\n21-24s：ベッド下の暗闇の主観寄り、暗闇から 📷画像2 （トラ）の前足が伸びて 📷画像3 （マル）の頭を必死に引く、毛が引っ張られても1ミリも動かない。\n\n24-27s： 📷画像3 （マル）の尻側の中景、外に残った尻と尾が小刻みに震え、床の綿と紙が擦れて動く。\n\n27-30s：暗闇の奥から二匹の目だけが見える寄り、目が焦点を失ったまま固まり、引っ張りの力が抜けて“詰み”の間でカット。\n\nキャラクターは storyboardDialogue に記載された台詞を一字一句そのまま話し、変更、追加、創作をしてはいけません。\n\nstoryboardDialogue:\n0～2s：【トラ＆マル】:"逃げろォォォ！"\nstoryboardAudioDescription:\n0～6s: 叫び声に重なる爆走의 足音、床を擦る紙と綿の連続音。\n6～10s: 壁に押し付けられるドン、直後にポンと戻る小さな弾み音。\n10～24s: ベッド下へ滑り込む擦過音、マルの体が詰まる布と床のギュッ、引っ張る摩擦。\n24～30s: 動きが止まっていく無音寄り、最後に小さな息だけ

Please generate a high-quality video with a good tempo and a high frame rate of 60 frames per second.\n\nShot and action direction:\n\n0-2s: Wide shot of the hallway, Image 2 (Tora) and Image 3 (Maru) shout simultaneously as they start; their bodies stretch forward at the beginning of the voice, and their rears catch up a beat later. The camera is at a low position, accelerating rapidly forward and pulling along.\n\n2-6s: Running wildly in a zigzag down the hallway; legs become circular rotating afterimages, and long tails of paper and cotton are dragged behind. The camera follows, cutting left and right.\n\n6-9s: Medium shot at a corner; only Image 3 (Maru) is flattened against the wall; the dog's shape is shown from the front becoming a paper-thin silhouette for a moment.\n\n9-10s: In the same composition, a single beat captures the moment it pops back to normal, immediately returning to the run.\n\n10-14s: Pursuit just above the floor; Image 2 (Tora) slides under a bed, thinning out like a liquid; the camera also drops its height and enters the gap.\n\n14-18s: Image 3 (Maru) plunges in head-first but stops at the waist; the body compresses like an accordion; the camera zooms in from the side to exaggerate the contraction and expansion.\n\n18-21s: Pops out once from the recoil and plunges in again; repeats the same movement rhythmically; finally, only the upper body enters, leaving the rear and curled tail outside.\n\n21-24s: Subjective close-up in the darkness under the bed; Image 2's (Tora) front paw stretches out from the dark and desperately pulls Image 3's (Maru) head; despite the fur being pulled, it doesn't move a millimeter.\n\n24-27s: Medium shot from Image 3's (Maru) rear side; the rear and tail left outside tremble slightly, and the cotton and paper on the floor rub and move.\n\n27-30s: Close-up from deep in the darkness showing only the eyes of the two animals; the eyes freeze, losing focus; the pulling force relaxes, and it cuts at the moment of 'stalemate'.\n\nCharacters must speak the lines listed in storyboardDialogue exactly word for word, with no changes, additions, or creations.\n\nstoryboardDialogue:\n0-2s: [Tora & Maru]: 'RUN FOR IT!!!'\nstoryboardAudioDescription:\n0-6s: Sound of explosive running overlapping with screams, continuous sounds of paper and cotton rubbing the floor.\n6-10s: A 'thud' of being pressed against the wall, followed immediately by a small 'pop' sound of returning.\n10-24s: Scuffing sound of sliding under the bed, the 'gyu' of Maru's body clogging between fabric and floor, and pulling friction.\n24-30s: Moving toward silence as motion stops, ending with just a small breath at the end.