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VIDEO · seedance-2.0

明朝权臣怒斥群臣的霸气瞬间

Role-playing as a Ming Dynasty official, imperial court scene, facing accusations from the group of ministers, sharp and fierce gaze, arrogant and domineering tone, strong and powerful presence, loudly speaking the lines: "What qualifications do you have to lecture me? The two capitals and thirteen provinces of the Great Ming are carried on my shoulders. The words 'the common people of the world' are not for you to say!", body language matching the intense emotion, a sense of angry rebuke and reprimand

#明朝#霸气#权臣
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VIDEO · seedance-2.0

Cinematic Commercial Video Generation Prompt for Seedance 2.0

A detailed, multi-scene prompt for Seedance 2.0 designed to generate a high-end commercial video featuring a woman and a luxury car, utilizing advanced cinematic techniques like Whip Pan, Rapid Zoom In, and Handheld Shake for dynamic transitions and visual impact. The prompt specifies scene duration, camera movements, character appearance (consistent with a reference image), and overall aesthetic.

#character#Seedance
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VIDEO · seedance-2.0

神话生物厨房的父女喜剧日常

A multi-shot cinematic kitchen comedy about a family of mythical creatures. Integrated sound. Photorealistic, raw, cavernous tone, expressive micro-acting. No on-screen text. Photorealistic shooting. 180° shutter, 24 fps. Shot 1: Close-up of the little goblin girl at the wooden kitchen table (meets the reference). She is deadly serious, arms crossed, looking at her troll father, who is standing off-screen. She asks in clear, casual English, “Daddy, how do goblins come to be? Tell me.” Camera: Slow, subtle arc around her face (right to left), gently zooming in, shallow depth of field. Sound: Quiet kitchen tones, barely audible table creaks. Shot 2: Medium shot of her father opposite her. He freezes, looking around nervously, trying to deflect the topic. He says, “Uh… do you want some worms?” Camera: Handheld, arcing around him (left to right), ending in a slightly closer shot, as if the camera is “zooming in” on his panic. Sound: Wooden box creaking, his awkward voice. Shot 3: Medium close-up of the girl. She doesn’t blink, leans forward slightly. She says, “Daddy. Don’t change the subject.” Camera: Smooth zoom in with a slight pan to keep her centered in the frame, steady and confident. Sound: Her firm voice, the silence in the kitchen. Shot 4: Medium shot of the father. He reaches for the wooden plate of worms like a life preserver, putting on an amused expression. Camera: Quick pan to the plate of worms as he grabs it with his hand, then a controlled zoom back up to his face. Sound: Wood scraping against wood, worms crawling, flying mice in a cave. Shot 5: Over-the-shoulder shot from the goblin girl to the troll father, worms on a plate in abundance in the foreground. He advertises it a bit too insistently, smiling. He says, “These worms are so delicious. When you’re older, you’ll understand. Eat.” Camera: Slow arc around the worms on the plate in the foreground (heroic move), while the troll father remains in frame, with a subtle change of focus from the father to the plate of worms in the middle. Sound: Light chewing sound. Shot 6: Close-up of the goblin girl. She puffs out her cheeks, unimpressed, then mutters, “Oof… you did it again.” Camera: Tiny counter-rotation for a punchline, then a gentle pull back to release the tension. Sound: Her quiet sigh/snort, trolls and goblins movie vibe. Negative prompt: Dramatic crying, prolonged screams, terrifying tone, violence, text overlays, subtitles, logos.

#奇幻#电影感#喜剧